The façade of the church is characterized by a portal framed between two columns surmounted by capitals, which support two squatting animals, a lion and a bull, from which are grafted cusps creating a kind of portico. The portal consists of three carved concentric bands, interlacing the geometric and plant motifs, which enclose the architrave where the Annunciation is represented: the scene is framed between two columns where two rampant birds (peacocks), archangel Gabriele (left) and the figure of the Virgin seated on a throne (right) are juxtaposed; the angelic salutation is engraved in Greek between the figures. At the center, the rose window has three carved concentric crowns. The inner band is made with intertwining plants, among which you can see small figures of animals, the middle with acanthus leaves, like the portal, is interspaced with small busts of figures representing the Savior and the Apostles, while the outer band is decorated with a geometric pattern. Crowning the whole church and running along the perimeters is a decoration of hanging arches. On the southern side of the church, below the eighteenth century bell tower, is a Byzantine sundial, dating back to the fourteenth century, with the hours indicated in Greek and in Latin. The interior, having a single nave, presents the chapel of the Annunciation on the northern side, accompanied by frescoes of the sixteenth century. In the small area, an image of St. Nicholas of Bari on the right pillar of the arc is painted while on the left pillar is St. Antonio Abate. The central part is from the scene of Christ on the cross, represented between two angels, surrounded by, further down, the figures of the praying Mary and St. Leonard of Noblac. The left wall contains the scene of the Annunciation where an inscription of graffiti can be read: YEAR D (OMINI) 1538 / EGO ANGE. On the right wall, however, the figure of the Virgin Mary of Constantinople is painted. In the eighteenth century, the construction of a new building leaning against the north side of the fourteenth-century church, involved a radical change in the liturgical orientation of the edifice with the construction of the new main altar near the southern wall. Inside the church are paintings such as: Saint Lucia (1716), Santa Maria Maggiore and San Carlo Borromeo (18th century), Miracle of Madonna della Strada (1866) by Francesco Tempesta; and some statues: St. Joseph, Our Lady of Sorrows, Madonna della Strada (papier mâché). In the square outside the church, on September 7, 2002, the votive column surmounted by the statue of Santa Maria della Strada was inaugurated.